Hugh likes to encourage others to develop their creative potential, as he has been fortunate in his life. He initiated a series of creative exercises while Artist in Residence at the Royal Shakespeare Company, and subsequently developed these with prison inmates, homeless men & women, asylum seekers and refugees.
In the last 10 years Hugh has recently opened his new studio on the family farm outside Hayward’s Heath, with easy access from London & Brighton. There will be a growing range of courses offered here in the coming year, so watch out for developments.
If you would like to see the course archives please click here.
|2nd - 4th March||Weekend Wallpaper Workshop - Hugh's Studio, firstname.lastname@example.org|
|6th - 8th April||Weekend Wallpaper Workshop - Host Workshops, Taunton Thoughtfulhost.co.uk|
|16th - 20th April||Longer Wallpaper Workshop - West Dean College, W Sussex https://www.westdean.org.uk/|
|5th & 6th May||Illustrated Traveller’s Sketchbook Workshop – School of Art & Wellbeing, Honiton, Devon www.artandwellbeing.net|
|17th - 20th May||Handmade in Britain Exhibition - Oxford Town Hall http://www.handmadeinbritain.co.uk/|
|22nd - 24th June||Illustrated Traveller’s Sketchbook Workshop, Kingcombe Centre, Dorset Kingcombe Centre, Dorset|
|11th & 12th July||Introduction to Lino Printing - School of Art & Wellbeing, Honiton, Devon www.artandwellbeing.net|
|31st August - 2nd September||Weekend Wallpaper Workshop - Kingcombe Centre, Dorset|
|14th - 17th September||Lino Blocked Textile Workshop - West Dean College, W Sussex https://www.westdean.org.uk/|
|21st, 22nd & 23rd September||Weekend Wallpaper Workshop - Hugh’s Sussex studio email@example.com|
|3rd - 31st October||Artist in Residency at the Chateau Orquevaux in France|
|9th, 10th & 11th November||Weekend Wallpaper Workshop - Hugh’s studio, firstname.lastname@example.org|
|17th November||Lino Printing Workshop - Kingcombe Centre, Dorset|
|18th November||Festive Printing Workshop - Kingcombe Centre, Dorset|
Wallpaper Weekend Workshop
Discover the elements of simple pattern and principles of turning a plant study into a design. Learn the theory of repeat patterns by cutting a block and printing a length by hand. No experience or equipment needed.
This article will give you an idea of what the course is like. Read Article →, and if you would like to try printing your own wallpaper at home then read this article from Coast Magazine: Print Your Own Wallpaper with Hugh Dunford Wood
Price: £300 - All materials provided. Contact Hugh to book your place.
Travelling Sketchbook Workshop
Everything you need to know to master the art of keeping a sketchbook when you are out and about, or away from home.
A sketchbook is a very useful depository of fleeting impressions and notes recorded on the hoof. It is compact and the drawing tools are few and light. You will be amazed how much richer the impression of place or people is on your imagination when recorded in your own hand, rather than too easily snapped through a lens.
Price: £175 - All materials provided. Contact Hugh to book your place.
Cushion Design Workshop
Drawing on the tradition of block printed textiles from the mid twentieth century, you will develop and cut a lino block to print a single colour design onto natural organic Scottish linen.
You will be introduced to a spectrum of ideas from bold abstract to animals, or delicate florals to inspire your design. The merit of borders will be discussed, mark making and colourways introduced.
Before the end of the course you will print your block onto natural linen and be provided with backing enough to sew up your cushion cover at home. Natural feather cushion pads are available.
The course is a marriage between the art of linocut printmaking and the art of collage. Lino is an easily accessible material to cut and print for quick results, defining simple drawings into bold prints suitable for this narrative medium. Individual elements will be combined to make up a strong composition, which will be complimented by common materials of collage.
Collinos are a combination of the observed, the imagined and the decorative, and these three elements will be explored individually and together. We can also use transfers, stencils, and rubber cuts in playing with image and design to arrive at a robust composition.
At the end of the course you will have new knowledge and experience of materials and process, developed confidence in composition, colour and texture, as well as working more intuitively to create collino prints.